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1079 lines
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<HTML>
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<HEAD>
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<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
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<META NAME="GENERATOR" CONTENT="Mozilla/4.5b2 [en] (X11; I; Linux 2.0.30 i486) [Netscape]">
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<META NAME="Author" CONTENT="Michael J. Hammel">
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<META NAME="Description" CONTENT="The Monthly Column of Computer Graphics for Linux Systems.">
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<TITLE>Graphics Muse</TITLE>
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<BODY TEXT="#000000" BGCOLOR="#FFFFFF" LINK="#660000" VLINK="#666666" ALINK="#FF6600">
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<!--endcut ============================================================-->
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<H4>
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"Linux Gazette...<I>making Linux just a little more fun!</I>"
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</H4>
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<P> <HR> <P>
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<!--===================================================================-->
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<!-- =============================================================
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These pages are designed by Michael J. Hammel. Permission to
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use all graphics and other content is granted provided you give
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me (or the original authors/artists) credit for the work and this
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copyright notice is not removed.
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(c)1997, 1998 Michael J. Hammel (mjhammel@graphics-muse.org)
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============================================================= !--><!-- The Button box as a client side imagemap --><MAP NAME="nav-main"><AREA SHAPE="rect" HREF="#mews" coords="20,18 185,40"><AREA SHAPE="rect" HREF="#webwonderings" coords="10,60 185,83"><AREA SHAPE="rect" HREF="#musings" coords="90,102 185,130"><AREA SHAPE="rect" HREF="#resources" coords="70,152 185,180"></MAP>
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<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=0 COLS=2 NOSAVE >
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<TR NOSAVE>
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<TD ALIGN=LEFT VALIGN=TOP NOSAVE><IMG SRC="../gx/hammel/gm-logo-3.jpg" HEIGHT=169 WIDTH=400></TD>
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<TD ALIGN=LEFT VALIGN=CENTER NOSAVE>
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<BR><B><FONT SIZE=+1>muse:</FONT></B>
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<OL>
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<LI>
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<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>v; to become absorbed in
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thought </FONT></FONT></I></LI>
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<LI>
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<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>n; [ fr. Any of the nine
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sister goddesses of learning and the arts in Greek Mythology ]: a source
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of inspiration</FONT></FONT></I></LI>
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</OL>
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<CENTER><FONT SIZE=-2>© 1998 by <A HREF="mailto:mjhammel@graphics-muse.org">mjh</A></FONT></CENTER>
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</TD>
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</TR>
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</TABLE>
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<HR SIZE=1 NOSHADE WIDTH="100%">
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<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=0 COLS=2 WIDTH="100%" NOSAVE >
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<TR NOSAVE>
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<TD WIDTH="187" NOSAVE><IMG SRC="../gx/hammel/muse-image-map.jpg" ALT="Button Bar" USEMAP="#nav-main" HEIGHT=200 WIDTH=185 ALIGN=LEFT></TD>
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<TD VALIGN=TOP WIDTH="65%" NOSAVE>
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<BR><IMG SRC="../gx/hammel/w.gif" ALT="W" HEIGHT=28 WIDTH=36 ALIGN=BOTTOM><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>elcome
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to the Graphics Muse! Why a "muse"? Well, except for the sisters aspect,
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the above definitions are pretty much the way I'd describe my own interest
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in computer graphics: it keeps me deep in thought and it is a daily source
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of inspiration. </FONT></FONT>
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<CENTER>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>[<A HREF="#mews">Graphics
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Mews</A>][<A HREF="#webwonderings">WebWonderings</A>][<A HREF="#musings">Musings</A>][<A HREF="#rsrc">Resources</A>]</FONT></FONT></CENTER>
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<P><IMG SRC="../gx/hammel/t.gif" ALT="T" HEIGHT=28 WIDTH=26><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>his
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column is dedicated to the use, creation, distribution, and discussion
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of computer graphics tools for Linux systems.</FONT></FONT></TD>
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</TR>
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</TABLE>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>This month marks the second
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anniversary for the Graphics Muse column. Its hard for me to believe
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I've been doing this for that long. My general span of attention
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is about a year, but I've managed to not only hold onto an interest in
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this column, I've managed to grow it into several articles and covers for
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the Linux Journal, a book, and a web site devoted to computer graphics
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and based on this column. I guess when you get on a roll, stick with
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it.</FONT></FONT>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The more observant readers
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will also notice a little change in format for this column. I finally
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did a little color matching for the various images I use and, at the bequest
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of more than just a few readers, got rid of the multicolumn articles.
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Most of the announcements are on a page of their own now, although I will
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be keeping a few on the first page. Overall, I much prefer this new
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format. It just looks cleaner. I hope you like the changes.</FONT></FONT>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>In this months column I've
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taken a chance and offered a little editorial on the way things are as
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I see them. Much of what I've seen in the past few months revolving
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around Linux has been positive news - announced support from all 5 major
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database vendors (Oracle, IBM, CA, Sybase, and Informix), Intel and Netscape
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announcing investment in Red Hat, and lots of generally good press.
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But along with this I've seen a fair amount of disunity among the community.
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There are camps forming between followers of various leaders. I find
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this sad. Hardlines drawn by groups with disparate interests and
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ideas tends to drain the energies of both sides of the argument and I'd
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really hate to see that happen with Linux. The worst aspect of these
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arguments is the distraction thats created from the real focus - proving
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how Open Source/free software can really be viable solutions to end users,
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not just developers. Thats key to making Linux a world player in
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corporations, education, government and on the desktop.</FONT></FONT>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>In this months column you'll
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find:</FONT></FONT>
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<UL>
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<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>State of the DisUnion - an editorial
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to celebrate my 2 year anniversary as the Muse.</FONT></FONT></LI>
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<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Review: Corel Super Ten
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Packs CD collections</FONT></FONT></LI>
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<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Off the shelf video cards:
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choosing the right solution the first time.</FONT></FONT></LI>
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<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>An updated on X Input support
|
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for MetroLink's Metro-X server.</FONT></FONT></LI>
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</UL>
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<HR SIZE=1 NOSHADE WIDTH="100%">
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<BR><A NAME="mews"></A><IMG SRC="../gx/hammel/mews.jpg" HEIGHT=50 WIDTH=245>
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<TABLE BORDER=0 COLS=3 WIDTH="100%" NOSAVE >
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<TR NOSAVE>
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<TD ALIGN=LEFT VALIGN=TOP WIDTH="140" NOSAVE>
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<TABLE BORDER CELLSPACING=0 CELLPADDING=2 COLS=1 WIDTH="100%" HEIGHT="100%" BGCOLOR="#FE992B" NOSAVE >
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<TR>
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<TD><B><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Other Announcements:</FONT></FONT></B></TD>
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</TR>
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#blender">Blender
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Manual</A></FONT></FONT></TD>
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</TR>
|
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#moxy">Moxy
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0.1.2</A></FONT></FONT></TD>
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</TR>
|
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<TR NOSAVE>
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<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#quickimage">Quick
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Image Viewer 0.9.1</A></FONT></FONT></TD>
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</TR>
|
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|
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<TR NOSAVE>
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<TD ALIGN=LEFT VALIGN=TOP NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#gqviewer">GQview
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0.4.3</A></FONT></FONT></TD>
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</TR>
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<TR NOSAVE>
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<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#fltk">FLTK
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19981006</A></FONT></FONT></TD>
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</TR>
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<TR NOSAVE>
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<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#xawtv">XawTV
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2.28</A></FONT></FONT></TD>
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</TR>
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#jmkfonts">jmk-x11-fonts
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1.2</A></FONT></FONT></TD>
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</TR>
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#killustrator">KIllustrator</A></FONT></FONT></TD>
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</TR>
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#mathmap">MathMap</A></FONT></FONT></TD>
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</TR>
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#metro-x">Metro-X
|
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4.3</A></FONT></FONT></TD>
|
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</TR>
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<TR>
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<TD><FONT SIZE=-1><A HREF="mews.html#gnu-plotutils">GNU PlotUtils 2.1.6</A></FONT></TD>
|
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</TR>
|
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<TR>
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||
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#direct-media">Simple
|
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DirectMedia Layer Version 0.8</A></FONT></FONT></TD>
|
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</TR>
|
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#tkscanfax">tkscanfax</A></FONT></FONT></TD>
|
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|
</TR>
|
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<TR>
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#mam-vrs">MAM/VRS</A></FONT></FONT></TD>
|
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</TR>
|
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|
|
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|
<TR>
|
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<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mews.html#xig">Xi
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Graphics Announcements</A></FONT></FONT></TD>
|
||
|
</TR>
|
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|
|
||
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<TR NOSAVE>
|
||
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<TD ALIGN=CENTER NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><
|
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<A HREF="mews.html">More
|
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Mews</A> ></FONT></FONT></TD>
|
||
|
</TR>
|
||
|
</TABLE>
|
||
|
</TD>
|
||
|
|
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<TD WIDTH="1" NOSAVE></TD>
|
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|
|
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<TD ALIGN=LEFT VALIGN=TOP NOSAVE>
|
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<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=3 COLS=1 WIDTH="100%" NOSAVE >
|
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<TR NOSAVE>
|
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<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B>Disclaimer</B>:
|
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|
Before I get too far into this I should note that any of the news items
|
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I post in this section are just that - news. Either I happened to run across
|
||
|
them via some mailing list I was on, via some Usenet newsgroup, or via
|
||
|
email from someone. I'm not necessarily endorsing these products (some
|
||
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of which may be commercial), I'm just letting you know I'd heard about
|
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|
them in the past month.</FONT></FONT></TD>
|
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|
</TR>
|
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|
|
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|
<TR>
|
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<TD>
|
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<HR NOSHADE WIDTH="100%"></TD>
|
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</TR>
|
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</TABLE>
|
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<B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>S.u.S.E announces support
|
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for Matrox Cards</FONT></FONT></B>
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<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Dirk Hondel has put a new
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version of XFCom_Matrox on the ftp site and updated the web site at <A HREF="http://www.suse.de/XSuSE/XSuSE_E.html">http://www.suse.de/XSuSE/XSuSE_E.html</A>.</FONT></FONT>
|
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<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The new server should work
|
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on all current Matrox boards, including the</FONT></FONT>
|
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<UL>
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|
<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Matrox Millennium G200 (SGRAM
|
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and SDRAM)</FONT></FONT></LI>
|
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|
|
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|
<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Matrox Mystique G200</FONT></FONT></LI>
|
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<LI>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Matrox Productiva G100</FONT></FONT></LI>
|
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</UL>
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<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The server is well accelerated
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and supports 8/16/24/32bpp on all of these cards.</FONT></FONT>
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<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Please report any problems
|
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with these servers to <A HREF="mailto:x@suse.de">x@suse.de</A></FONT></FONT></TD>
|
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|
</TR>
|
||
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</TABLE>
|
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<HR SIZE=1 NOSHADE WIDTH="100%">
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<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>Meteor 1.5.2 - Matrox
|
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Meteor video capture board driver/utilities</FONT></FONT></B>
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<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:mark.sutton@laitram.com">Mark
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Sutton</A> is pleased to announce the release of "meteor-1.5.2", a driver
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and collection of applications for the Matrox Meteor frame grabber.
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This driver runs on the Linux 2.0.xx series of kernels. Its earlier counterpart,
|
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version 1.5.1, has been reported to work on many 2.1.xx releases and later
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1.3.xx kernels. This version should work on those kernels also.</FONT></FONT>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The <B><FONT COLOR="#CC6600">Matrox
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Meteor</FONT></B> is a high end professional quality video capture board
|
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commonly used in demanding video capture applications such as laboratory
|
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|
research, robotics, and industrial inspection. It's video quality
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and clarity of it's captures are generally notably superior to the garden
|
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variety consumer grade image capture devices, and it's price reflects this.</FONT></FONT>
|
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>This driver is bundled with
|
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single frame capture software, software for displaying real time video
|
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in a window, patches to make the meteor work with "vic", a Linux video
|
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|
conferencing package, and other goodies. The "official page" for
|
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this package is found at <A HREF="http://www.rwii.com/linux/">http://www.rwii.com/linux/</A>.
|
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Other information about this driver can be found at <A HREF="http://www.cs.virginia.edu/~bah6f/matrox/">http://www.cs.virginia.edu/~bah6f/matrox/</A>.</FONT></FONT>
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<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Like the numbering scheme
|
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for the Linux kernel itself, the odd middle numeral in the version number
|
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("5") indicates that this is a "development" release. It however
|
||
|
contains numerous enhancements over the last "stable" release, not the
|
||
|
least of which are the ability to compile without hacking on the latest
|
||
|
development and stable linux kernel versions, as well as the ability to
|
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compile and run properly on libc6 based distributions. In actuality,
|
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|
this "development" version should prove to be pretty much as stable as
|
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|
the last "stable" release.</FONT></FONT>
|
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|
<BR>
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||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>Crystal Space 3D engine
|
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|
Has Moved</FONT></FONT></B>
|
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|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:Jorrit.Tyberghein@uz.kuleuven.ac.be">Jorrit
|
||
|
Tyberghein</A> would like to announce a knew homepage for the <B><FONT COLOR="#CC6600">Crystal
|
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|
Space 3D</FONT></B> engine. He develops Crystal Space mainly on Linux but
|
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|
it is also ported to other platforms (like Windows, DOS, Macintosh, OS/2,
|
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|
Amiga, ...)</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The URL is http://crystal.linuxgames.com</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Crystal Space is a free (LGPL)
|
||
|
3D engine written in C++. It supports colored lights, mipmapping, mirrors,
|
||
|
reflecting surfaces, 3D models/sprites, scripting, and other features.
|
||
|
The purpose is to make a free and flexible 3D/game engine. Crystal
|
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|
Space is also a rather large open source project. There are currently about
|
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182 people subscribed to the developers mailing list. You can join to!</FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>Casio QV-10 digital camera
|
||
|
HOWTO</FONT></FONT></B>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Bob Hepple has re-posted
|
||
|
the HOWTO for using the Casio QV-10 digital camera with Linux (published
|
||
|
in Linux Gazette) at:</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.bit.net.au/~bhepple/qvplay/qvplay.html">http://www.bit.net.au/~bhepple/qvplay/qvplay.html</A></FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Bob Hepple</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>mailto:<A HREF="mailto:bhepple@bit.net.au">bhepple@bit.net.au</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.finder.com.au">http://www.finder.com.au</A></FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>Casio QV digital camera
|
||
|
support for the GIMP</FONT></FONT></B>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:jbnivoit@ix.netcom.com">JB</A>
|
||
|
is pleased to announce a new plug-in for the GIMP. It called 'cam' and
|
||
|
allows the GIMP to read CAM files directly. Those files are the ones stored
|
||
|
in Casio QV-* digital cameras and that you can dump using, for instance,
|
||
|
QVplay.</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>URL: <A HREF="http://www.mygale.org/~jbn/qv.html">http://www.mygale.org/~jbn/qv.html</A></FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>DC20Pack - software for
|
||
|
Kodak DC20/25 cameras</FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><FONT COLOR="#CC6600">DC20Pack</FONT></B>
|
||
|
is a Software Package for Kodak DC20 and DC25 digital cameras which contains
|
||
|
two programs: <I><FONT COLOR="#CC6600">dc20term</FONT></I> and <I><FONT COLOR="#CC6600">dc2totga</FONT></I>.
|
||
|
dc20term transfers the pictures out of the camera and stores they as raw
|
||
|
data files. dc2totga converts those raw data files to standard image
|
||
|
files using the popular TGA image file format.</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>URLs:</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="ftp://sunsite.unc.edu/pub/Linux/apps/graphics/capture">ftp://sunsite.unc.edu/pub/Linux/apps/graphics/capture/dc20pack-1.0.tgz</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://home.t-online.de/home/Oliver.Hartmann">http://home.t-online.de/home/Oliver.Hartmann</A></FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<BR><B><FONT FACE="Arial,Helvetica"><FONT SIZE=+1>GIMP wins Productivity
|
||
|
Software award from APC Magazine</FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The following note was posted
|
||
|
to the <B><FONT COLOR="#CC6600">GIMP</FONT></B> Developers mailing list
|
||
|
on October 19th, 1998:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I'm writing from
|
||
|
Australian Personal Computer magazine and would like to congratulate your
|
||
|
having won an Award at our annual IT Awards evening last Thursday.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>We have a beautiful crystal
|
||
|
trophy we would like to send you having won in the Productivity Software
|
||
|
of 1998 category. Please can you forward me your street address and
|
||
|
phone number as I would like to send this by courier to you.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Regards</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Helen Duncan</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>New Media Projects Manager</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Australian Personal Computer</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The official award announcement
|
||
|
can be found at <A HREF="http://newswire.com.au/9810/award.htm">http://newswire.com.au/9810/award.htm</A>.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The award is being shipped
|
||
|
to Peter Mattis who will be placing the trophy in the lobby of the XCF
|
||
|
(Experimental Computing Facility) at Berkeley, which is where the GIMP
|
||
|
has its origins. Congratulations to all those involved in the evolution
|
||
|
of the GIMP!</FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<P><!--
|
||
|
-- Did You Know Section
|
||
|
-->
|
||
|
<H2>
|
||
|
Did You Know?</H2>
|
||
|
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...For those of
|
||
|
you who don't read GIMP News, <A HREF="mailto:xach@mint.net">Zach Beane</A>
|
||
|
has added a couple new tutorials to <A HREF="http://www.xach.com/gimp/tutorials/">http://www.xach.com/gimp/tutorials/.</A></FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...at a refresh rate of 60Hz
|
||
|
or lower, you'll often detect an eyestrain-causing flicker on your screen.
|
||
|
Flicker generally disappears at 72Hz; the Video Electronics Standards Association's
|
||
|
(VESA's) recommended minimum for comfortable viewing is 75Hz. Whichever
|
||
|
card you buy, in any price range, be sure that it and your monitor can
|
||
|
synchronize to provide at least a 75Hz refresh rate at your highest preferred
|
||
|
resolution and color depth.</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>From <B><FONT COLOR="#CC6600">ComputerShopper.com</FONT></B>'s
|
||
|
article "<A HREF="http://www.zdnet.com/computershopper/edit/cshopper/content/9704/cshp0013.html">Performance
|
||
|
on Display</A>"</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...a poll is being run by <A HREF="http://www.lumis.com/poll">lumis.com</A>
|
||
|
asking which platform you'd like to see <B><FONT COLOR="#CC6600">Alias/Wavefront's
|
||
|
Maya 3D</FONT></B> product ported to. Go there and tell the world
|
||
|
- we want graphics tools ported to Linux! Slashdot had reported this
|
||
|
link and noted that MacOS was way out in front, but the <I>Slashdot effect</I>
|
||
|
&tm; had already taken by the time I got there and Linux was in front
|
||
|
once again.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...you can find collections
|
||
|
of free fonts all over the Internet. Take a look at the following
|
||
|
sites:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.fountain.nu/fonts/free.html">http://www.fountain.nu/fonts/free.html</A>
|
||
|
- TrueType only (PC format downloads is in small type)</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.signalgrau.com/eyesaw/html/main.htm">http://www.signalgrau.com/eyesaw/html/main.htm</A>
|
||
|
- TrueType and Postscript Type 1 fonts (pfb)</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.rotodesign.com/fonts/fonts.html">http://www.rotodesign.com/fonts/fonts.html</A>
|
||
|
- Type 1, but sans most punctuation and some numbers</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>More sites can be found
|
||
|
from Yahoo's listings: <A HREF="http://dir.yahoo.com/Arts/Design_Arts/Graphic_Design/Typography/Typefaces/">http://dir.yahoo.com/Arts/Design_Arts/Graphic_Design/Typography/Typefaces/</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...another 3D modeller is under
|
||
|
development, this one using C and Tcl/TK. This one is called Mops
|
||
|
and has support for NURB curves and RIB export files. Take a look
|
||
|
at <A HREF="http://www.informatik.uni-rostock.de/~rschultz/mops.html">The
|
||
|
Mops Home Page</A>.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...there are a couple of
|
||
|
newsgroups being run off the POV-Ray web site for the discussion of POV-Ray,
|
||
|
the 3D raytracing tool and the display of images. Take a look at
|
||
|
n<A HREF="ews://news.povray.org/povray.binaries.images">ews://news.povray.org/povray.binaries.images</A>
|
||
|
and <A HREF="news://news.povray.org/povray.general">news://news.povray.org/povray.general</A>.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>...a very good explanation
|
||
|
of using matrix transformations with POV-Ray can be found at <A HREF="http://www.erols.com/vansickl/matrix.htm">http://www.erols.com/vansickl/matrix.htm</A>.
|
||
|
Additionally, you can find some useful POV-Ray macros at <A HREF="http://www.erols.com/vansickl/macs.htm">http://www.erols.com/vansickl/macs.htm</A>.</FONT></FONT></BLOCKQUOTE>
|
||
|
<!--
|
||
|
-- Q and A Section
|
||
|
-->
|
||
|
<H2>
|
||
|
Q and A</H2>
|
||
|
<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Q: What does one use
|
||
|
[in the Gimp] in place of Photoshop's smudgy finger? I've tried using
|
||
|
the "fill with color or gradient" to no avail. I just want to smudge.
|
||
|
Ideas?</FONT></FONT></I>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>A: There is no smudge
|
||
|
tool. It has been oft requested, but noone has written one. Some
|
||
|
not quite the same alternatives: the blur tool, iwarp, or selecting a region
|
||
|
a bit and applying a gaussian blur. Not the same, but alas...</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Adrian Likins</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:adrian@gimp.org">adrian@gimp.org</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Q: I want to
|
||
|
place a block of text with evenly single-spaced lines using some arbitrary
|
||
|
font onto my Gimp image. Rather than doing it line by line with the
|
||
|
Text Tool, is there an easier way?</FONT></FONT></I>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>A: While the Ascii2Image
|
||
|
is probably the nicest solution, there is another somewhat more obscure
|
||
|
method. Using Cut and Paste into the text tool entry, the the text
|
||
|
tool has no problems with newline characters - you can make multiple text
|
||
|
lines directly from the text tool this way.</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Seth Burgess</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:sjburges@gimp.org">sjburges@gimp.org</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Q: Is there any way
|
||
|
to get gimp to use virtual memory instead of its swap file? I was working
|
||
|
on some images where the gimp swap file was about 30mb. Just about any
|
||
|
operation I do causes lots of disk activity. The machine I'm running this
|
||
|
on has more than enough physical memory, but it is not being used.</FONT></FONT></I>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>A: Change the value for the
|
||
|
gimp tile cahce in the Preferences dialog. I'd say with 160mb set
|
||
|
it to at least 80megs or so.</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Adrian Likins</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:adrian@gimp.org">adrian@gimp.org</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<I><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Q: Ok now I'm new to
|
||
|
linux and gimp - my friends got me into linux in the last couple months.
|
||
|
How can I, in Gimp save a file without having to merge the layers and still
|
||
|
have the graphic look the way its supposed to? Am I just really missing
|
||
|
something here?</FONT></FONT></I>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>A: If you just want
|
||
|
to save an "in-progress" verison of your image that preserves layers, guides,
|
||
|
channels, selections,etc then you should be saving as <B>.xcf</B>. That's
|
||
|
gimps native format.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>If you want to "export" an
|
||
|
image to a single layer format but not have to merge the layers, you should
|
||
|
have a look at Simon Budig's export scripts that automate this task. These
|
||
|
scripts can be found at:</FONT></FONT>
|
||
|
<BLOCKQUOTE>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.home.unix-ag.org/simon/gimp/export-file.html">http://www.home.unix-ag.org/simon/gimp/export-file.html</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Adrian Likins</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:adrian@gimp.org">adrian@gimp.org</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>
|
||
|
Note: as you can see, Adrian and Seth offer some pretty good advice
|
||
|
on the Gimp User's Mailing list!</FONT></FONT>
|
||
|
<BR>
|
||
|
<HR SIZE=1 NOSHADE WIDTH="100%">
|
||
|
<H2>
|
||
|
Reader Mail</H2>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:angus@intasys.com">Gus</A>
|
||
|
wrote:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Hi Mr Hammel,</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Looking at the April 98
|
||
|
issue...</FONT></FONT>
|
||
|
<BLOCKQUOTE><TT><FONT SIZE=-1>Reader Mail</FONT></TT>
|
||
|
<BR><TT><FONT SIZE=-1>Nick Cali (Mktnc@aol.com) wrote:</FONT></TT>
|
||
|
<BR><TT><FONT SIZE=-1> Just want to drop
|
||
|
a line thanking you for your effort at the Gazette and with Linux.
|
||
|
Really, thanks a lot.</FONT></TT>
|
||
|
<P><TT><FONT SIZE=-1><B><I><FONT COLOR="#993300">Muse</FONT></I></B>:
|
||
|
You're quite welcome. I had gotten some rather harsh email from someone
|
||
|
recently that had me considering dropping out of the Linux world altogether.
|
||
|
Getting little notes like this, however, helps keep me going. Thanks!</FONT></TT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Love the column,</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Please stay,</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>'nuff said.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>:-)</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>angus@intasys.com</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>:
|
||
|
Woohoo! My favorite kind of reader mail. Ok. I'll stick
|
||
|
around for a while longer.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>In a previous message, Rolf
|
||
|
Magnus Nilsen says:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I'm really sorry
|
||
|
for bothering you with this problem, but as an avid reader of the Linux
|
||
|
Gazette and the Linux Journal I have read most of your writings there.
|
||
|
And hope you can take the time to answer some questions.</FONT></FONT></BLOCKQUOTE>
|
||
|
|
||
|
<P><BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>'<B><I><FONT COLOR="#993300">Muse</FONT></I></B>:
|
||
|
No problem. I try to answer all the questions that come my way, if
|
||
|
I can.</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Now, we are going
|
||
|
to do a small project in VHS video, and we need some tools for video editing.
|
||
|
The problem is, we cant find any tools besides the simplest command line
|
||
|
tools.</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>:
|
||
|
Thats because there aren't any "canned" tools yet. See below.</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>So our current plan
|
||
|
is to run a framegrabber, grab about 25 pictures a second, organise them,
|
||
|
put in effects/text and use mpegencode to make a movie which we play back
|
||
|
to our VCR. But this is quite a task, when you consider a movie of
|
||
|
about 45 - 50 minutes.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I have been searching around
|
||
|
quite a bit, but have not found anything better than the tools I mentioned.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Do you know any resources
|
||
|
or products I should have a look at. Buying a commercial product is OK
|
||
|
if it runs under Linux..</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>:
|
||
|
Unfortunately this area of graphics tools on Linux is pretty sparse.
|
||
|
Like you said, there are a number of command line tools for doing very
|
||
|
specific tasks (like frame grabbers or creating MPEG video animations)
|
||
|
but there aren't any user-friendly, GUI based tools like, for example,
|
||
|
Adobe Premier.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>That said, there is one project
|
||
|
you might want to look into. The project is called Moxy (http://millennium.diads.com/moxy/).
|
||
|
Not much information there yet, but its aim is to be a Premier-style application.
|
||
|
Its in *very* early development.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>You might also drop a line
|
||
|
to the Gimp-Developer mailing list. A number of people had been discussing
|
||
|
creating an application like this on that mailing list. I haven't
|
||
|
heard whats become of this, however. Adding a plug-in to the Gimp
|
||
|
wouldn't be the best way to handle video editing - the Gimp isn't designed
|
||
|
for that type of work. But eventually interfaces should be (re: ought
|
||
|
to be) developed that allow easy transfer between the Gimp and video editing
|
||
|
tools.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>No commercial packages that
|
||
|
I know of are being ported yet. Desktop publishing on Linux is still
|
||
|
somewhat limited to word processors and the Gimp, which lacks color management
|
||
|
facilities that are quite important to most desktop publishing and video
|
||
|
editing environments.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I'll post your message (actually
|
||
|
this reply) to the next Graphics Muse column and perhaps someone with more
|
||
|
information than I have will contact you. If you hear of any commercial
|
||
|
packages being ported let me know. I'd love to start hearing of such
|
||
|
ports!</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>BTW: I'm really
|
||
|
looking forward to "The Artists' Guide to the GIMP", it is ordered already
|
||
|
:-)</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>:
|
||
|
Hey! A sale! The first official one that I know of. I
|
||
|
hope you find it useful!</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>In a previous message, Dylan
|
||
|
The Hippy Wabbit says:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I have a particular
|
||
|
interest in stereoscopic vision, and so I would like to have an X server
|
||
|
that supports shutter glasses.</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse</FONT></I></B>:
|
||
|
(Note - doesn't anyone go by their real names anymore?) Ouch.
|
||
|
My eyes are hurting already just thinking about these. People (like
|
||
|
me) who have one eye "stronger" than the other can't see these images,
|
||
|
at least not very well. They give me a headache (so do 3D glasses).</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>In case you haven't
|
||
|
heard of these, they use liquid crystals to alternately cover each eye.
|
||
|
The display then alternates in phase so that each eye sees only one view.
|
||
|
Apart from it's use in photography or molecular modelling it makes one
|
||
|
hell of an extension to Quake!</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Some, although only a few,
|
||
|
3D accelerators support them and there is an extensive web site including
|
||
|
homebrewed controllers at:-</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.stereo3d.com/3dhome.htm">http://www.stereo3d.com/3dhome.htm</A></FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>However, I can't find any
|
||
|
mention of it in the XFree86 docs. The AcceleratedX web site mentions
|
||
|
support for "3D PEX" which I assume is a typo, although it could be something
|
||
|
genuine I've never heard of. I've searched the LG archive to find
|
||
|
only your mention of a POVRAY "beamsplitter" in issue 27.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Do you know of anything?
|
||
|
After all, we can't let DOS/Windows users have anything we can't get can
|
||
|
we? ;-)</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1><B><I><FONT COLOR="#993300">'Muse:</FONT></I></B>
|
||
|
No such beast is yet available. Its just not in high demand so you
|
||
|
probably won't see it from the commercial vendors unless a paying business
|
||
|
customer requests it (with some serious dollars behind the request).
|
||
|
XFree86 will support it as soon as someone decides they want/need it and
|
||
|
have the time/expertise to write the code for it. If the video cards
|
||
|
handle it already then its just a matter of adding that support to an existing
|
||
|
video card driver (assuming a standard, well known video chipset on the
|
||
|
card). The problem is usually finding someone who knows how to do
|
||
|
that. A post to <A HREF="news:comp.os.linux.x">comp.os.linux.x</A>
|
||
|
or maybe a letter to the Linux Gazette editor (<A HREF="mailto:gazette@ssc.com">gazette@ssc.com</A>)
|
||
|
will put you in contact with someone. The LG editor will simply post
|
||
|
your request in the next issue of the Gazette and, with luck, someone will
|
||
|
contact you about their current work in this area. You might also
|
||
|
try sending a letter to the XFree86 support address (its listed on their
|
||
|
web site <A HREF="http://www.xfree86.org">www.xfree86.org</A>).</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I'll post your message in
|
||
|
the November Muse column. Maybe one of my readers will contact you
|
||
|
about this. Keep your fingers crossed!</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>BTW, 3D PEX is not a typo.
|
||
|
PEX is the PHIGS Extension, a formal X Extension that supports PHIGS, which
|
||
|
is the Programmers Hierarchical Interactive Graphics System. Thats
|
||
|
a sort of OpenGL from the earlier days of computer graphics, although its
|
||
|
still in use today in a few places.</FONT></FONT>
|
||
|
<BR>
|
||
|
<HR NOSHADE WIDTH="100%">
|
||
|
<BR><A NAME="webwonderings"></A><IMG SRC="../gx/hammel/webwonderings.jpg" HEIGHT=57 WIDTH=246>
|
||
|
<H2>
|
||
|
Review: Corel Super 10 Packs CD collections</H2>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I haven't been doing much with
|
||
|
my Web site this past month. Once I got the new format running I
|
||
|
didn't have much need to mess with it, although I do have to remove the
|
||
|
Apache logs fairly often (12Mb of logs in less than 5 days causes me to
|
||
|
keep running over my disk quota). So I was a little unsure of what
|
||
|
to write about for this months Web Wonderings. That is until I wondered
|
||
|
through a local computer retail outlet. There on the shelves I found
|
||
|
a number of Corel's Super Ten Pack CD image collections.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Normally I wouldn't consider
|
||
|
using stock photos from Web-style CD collections because the quality of
|
||
|
the photos generally isn't much better than what I can take myself.
|
||
|
Additionally, most of those "25,000 (or more) Image" collections you find
|
||
|
on the shelves come with images suitable only for the Web - generally no
|
||
|
more than about 1024x768 resolution. These usually are far too small
|
||
|
for any other media.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>But an article in the September
|
||
|
1998 issue of Digital Video magazine covering stock image collections mentioned
|
||
|
the Corel image collections, including their Super Ten Packs, as a source
|
||
|
of quality stock images. Since I trust this magazine more than my
|
||
|
own common sense (which is still rather new to the graphic arts world)
|
||
|
and due to Corel's fairly full-blown support for Linux, I decided to check
|
||
|
out one or two of these collections.</FONT></FONT>
|
||
|
<P><B><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>What is a Corel Super
|
||
|
Ten Pack?</FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The Super Ten Packs are collections
|
||
|
of 10 CD's, each with 100 PhotoCD images on them. The current collections
|
||
|
are classified into a number of different categories:</FONT></FONT>
|
||
|
<BR>
|
||
|
<CENTER><TABLE BORDER=0 CELLSPACING=5 CELLPADDING=0 COLS=3 NOSAVE >
|
||
|
<TR NOSAVE>
|
||
|
<TD WIDTH="180" NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Aircraft</FONT></FONT></TD>
|
||
|
|
||
|
<TD WIDTH="160" NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Food</FONT></FONT></TD>
|
||
|
|
||
|
<TD WIDTH="180" NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Seasons</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Animals</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Gardens</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Sports & Leisure</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR NOSAVE>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Architecture</FONT></FONT></TD>
|
||
|
|
||
|
<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Great Works of Art</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Textures</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Art, Sculpture, & Design</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Landmarks</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Textures II</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Business & Industry</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Museums & Artifacts</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Textures & Patterns</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Canada</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Nature</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Textures & Patterns
|
||
|
II</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Cars</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>People</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Transportation</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>England</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>People II</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Travel</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Fashion</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>People III</FONT></FONT></TD>
|
||
|
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Underwater</FONT></FONT></TD>
|
||
|
</TR>
|
||
|
</TABLE></CENTER>
|
||
|
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>There is also a Sampler Ten
|
||
|
pack. The sampler set has CD's titled, among others, "War", "Alien
|
||
|
Landscapes" and "Success". Unfortunately the limited documentation
|
||
|
doesn't say from which other Ten Pack's these samples are taken.
|
||
|
I expect that Corel will expand this list further as well, since they tend
|
||
|
to produce a large number of stock photography CDs in general.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The images are royalty free
|
||
|
but there are some restrictions to their use. First, you must display
|
||
|
the following text somewhere in your publication:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>This product/publication
|
||
|
includes images from [insert full name of Corel product] which are protected
|
||
|
by the copyright laws of the U.S., Canada and elsewhere. Used under license.</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Since I'm reviewing the CDs
|
||
|
in general I hope the above counts towards my meeting this requirement.
|
||
|
They also limit online display of the images to 512 X 768, but that may
|
||
|
be only if you display the image unmodified. Its not clear about
|
||
|
if such restrictions exist for derivative works that use the images.</FONT></FONT>
|
||
|
<P><B><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>How do you get them?</FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The Super Ten Packs are available
|
||
|
at computer retail outlets or online. I purchased my two sets from
|
||
|
MicroCenter here in Dallas. Corel's online site contains thumbnails
|
||
|
of all the images from their huge collection of images so that you can
|
||
|
preview them before purchase. All of the online versions have watermarks
|
||
|
so don't get any ideas about trying to swipe them from their site (unless
|
||
|
you like watermarked images).</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Online ordering can be done
|
||
|
at <A HREF="http://www.corel.com/products/clipartandphotos/photos/superten.htm">http://www.corel.com/products/clipartandphotos/photos/superten.htm</A>.
|
||
|
You can also search for individual images and order those online at <A HREF="http://corel.digitalriver.com/">http://corel.digitalriver.com/</A>.
|
||
|
I didn't check to see if you could actually order the photos individually
|
||
|
or just in the sets that contain them but a reliable resource who has used
|
||
|
the service in the past suggested you could purchase them individually.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>When you go to http://corel.digitalriver.com/
|
||
|
just click on the Photo CD package image to get a list of titles.
|
||
|
From there you can click on the individual CDs to preview all of the images
|
||
|
on each CD. Each CD runs about $35-$45US.</FONT></FONT>
|
||
|
<P><B><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>What do you actually get?</FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I purchased two different
|
||
|
sets, the Sampler Ten Pack and the Textures II Ten Pack. Both run
|
||
|
a little higher at the retail outlet, as expected, and came in boxed sets.
|
||
|
Inside the box I found the 10 CD's shrink wrapped along with a small pamphlet.
|
||
|
The pamphlet had the obligatory licensing information along with full color
|
||
|
thumnail images of all the images on each CD, one page per CD. This
|
||
|
is quite useful and something I hadn't quite expected for some reason.</FONT></FONT>
|
||
|
<P><IMG SRC="./gx/hammel/pcd-plug-in.jpg" HSPACE=10 VSPACE=10 HEIGHT=312 WIDTH=157 ALIGN=LEFT><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The
|
||
|
images on the CD come in PhotoCD format. This format specifies 5
|
||
|
different image sizes:</FONT></FONT>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>128x192</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>256x384</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>512x768</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>1024x1536</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>2048x3072</FONT></FONT></BLOCKQUOTE>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>To read this format you have
|
||
|
a couple of options. First, the <B><FONT COLOR="#CC6600">Gimp</FONT></B>
|
||
|
has a <B><FONT COLOR="#CC6600">PhotoCD file plug-in</FONT></B>. You
|
||
|
can tell if you have this plug-in installed if you try to open an existing
|
||
|
file and the <I>Open Options</I> menu includes an entry for <B>PCD</B>.
|
||
|
If you try to open a file from the CD by double clicking on the filename
|
||
|
in the Load Image dialog then the plug-in is started and you get the dialog
|
||
|
shown at left. You'll notice that this plug-in offers the additional
|
||
|
resolution of 4096x6144. I'm not certain if this is a valid PhotoCD
|
||
|
resolution or not, but it didn't seem to matter. Unfortunately, I
|
||
|
was unable to read any of the images from the CD in resolutions higher
|
||
|
than 512x768 using this plug-in. I had to switch to an alternative
|
||
|
option, the <B><FONT COLOR="#CC6600">hpcdtoppm</FONT></B> tool from <B><FONT COLOR="#CC6600">NetPBM</FONT></B>
|
||
|
package. With this program I could read the higher resolutions -
|
||
|
up to 2048x3072 - into a PPM formatted file which I could then load into
|
||
|
the Gimp. I didn't have time to determine if the problem was with
|
||
|
the Gimp plug-in or the CDs, but I suspect the plug-in is at fault since
|
||
|
I could read the higher resolutions with hpcdtoppm. Note that this
|
||
|
plug-in works fine for resolutions up to 512x768.</FONT></FONT>
|
||
|
<BR>
|
||
|
<BR>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>[ <A HREF="webwonderings.html">More
|
||
|
Web Wonderings</A> ]</FONT></FONT>
|
||
|
<BR>
|
||
|
<HR NOSHADE WIDTH="100%">
|
||
|
<P><A NAME="musings"></A>
|
||
|
<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=3 COLS=2 NOSAVE >
|
||
|
<TR NOSAVE>
|
||
|
<TD ALIGN=LEFT VALIGN=TOP WIDTH="245" NOSAVE><IMG SRC="../gx/hammel/musings.jpg" HEIGHT=50 WIDTH=245></TD>
|
||
|
|
||
|
<TD NOSAVE>
|
||
|
<CENTER><TABLE BORDER CELLSPACING=0 CELLPADDING=3 COLS=1 WIDTH="100%" BGCOLOR="#FE992B" NOSAVE >
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="musings.html#video-cards">Off
|
||
|
the shelf video cards: choosing the right solution the first time.</A></FONT></FONT></TD>
|
||
|
</TR>
|
||
|
|
||
|
<TR>
|
||
|
<TD><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="musings.html#metro-xinput">Metro
|
||
|
Link X Input Support</A></FONT></FONT></TD>
|
||
|
</TR>
|
||
|
</TABLE></CENTER>
|
||
|
</TD>
|
||
|
</TR>
|
||
|
</TABLE>
|
||
|
|
||
|
<H2>
|
||
|
<FONT FACE="Arial,Helvetica">State of the DisUnion</FONT></H2>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Its been two years since I started
|
||
|
the Graphics Muse column in the Linux Gazette. In that time I've
|
||
|
watched Linux grow in ways many people felt possible but few could guarantee
|
||
|
would actually happen. I've also watched, with some dismay, the numerous
|
||
|
battles being fought within our community and beyond. So, I'd like
|
||
|
to take this opportunity to just place my opinion on the record on a few
|
||
|
of the issues we've all faced these past two years. If you are easily
|
||
|
annoyed by other peoples opinions then just skip down to the bit on <A HREF="#where-to-go">Where
|
||
|
to go from here</A> or jump over to the <A HREF="musings.html#video-cards">off
|
||
|
the shelf video cards</A> article.</FONT></FONT>
|
||
|
<P><B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>RMS
|
||
|
vs. Raymond vs Users</FONT></FONT></FONT></B>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Both RMS (Richard
|
||
|
M. Stallman) and Eric Raymond have done wonders for the community and both
|
||
|
should be applauded for their efforts and dedication. However their
|
||
|
spirited enthusiasm, in the manner and form which they display in public,
|
||
|
is not necessarily what we need now. Linux and free software/Open
|
||
|
Software is a community, one that has grown beyond its bare communal spirit
|
||
|
and now encompasses a metropolitan mix of individuals and groups.
|
||
|
And that mix includes a high number of end users - not developers, not
|
||
|
hackers - users. I wonder now if either RMS or Raymond is truly interested
|
||
|
in the end user or is their focus solely on the developers needs.
|
||
|
At this point, the community needs to focus on both.</FONT></FONT></BLOCKQUOTE>
|
||
|
<B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>Commercial
|
||
|
vs. Free and World Domination</FONT></FONT></FONT></B>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Unlike many Linux
|
||
|
fans, I have no problem with commercial (re: proprietary) software.
|
||
|
There are people who both need and desire commercial software, regardless
|
||
|
of what developers might find as the higher moral ground. I personally
|
||
|
will use the tools which best suit my needs. I have always wanted
|
||
|
a Unix desktop, ever since my days working on the Dell Unix products in
|
||
|
the early 1990's and Linux is it for me. If commercial applications
|
||
|
begin to show up that work well for me, I will use them. I already
|
||
|
use Applixware and commercial versions of the sound drivers and X server.
|
||
|
You don't have to encourage commercial development, but you shouldn't attack
|
||
|
them either. Having a different point of view does not make someone
|
||
|
wrong or generally evil in all cases. If you provide alternatives
|
||
|
to commercial products you'll find many people who will both use and support
|
||
|
those alternatives. But to disuade others from using commercial products
|
||
|
without first providing the alternative is tantamount to using the same
|
||
|
tactics Microsoft uses with their vaporware announcements. Convince
|
||
|
by doing first. It makes the counter argument, the argument for commercial
|
||
|
or proprietary software, more difficult to sustain.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>On a related subject:
|
||
|
World Domination by Linux is not a goal I seek. The first reason
|
||
|
is obvious - if you displace Microsoft you lose the strongest focal point
|
||
|
that currently exists for the free software movement - the drive to displace
|
||
|
Microsoft. It is a bit of a catch-22 scenario, but I'd rather have
|
||
|
Microsoft stay strong to keep developers on edge in the Linux community.
|
||
|
They seem to thrive on that. Without real leadership in our community
|
||
|
(and I'm not convinced we have that one strong individual or group that
|
||
|
can claim that leadership role) it is imperitive that the strong focal
|
||
|
point be kept clear. Focus is key in any project, be it writing software
|
||
|
or climbing mountains or writing columns like this one.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The other reason I don't
|
||
|
want world domination is I really don't want to replace one egotistical
|
||
|
maniac with several thousand (or million). Great developers are egotistical
|
||
|
- its a form of self confidence not unlike that displayed by great artists.
|
||
|
But I wouldn't want either in charge of my personal computing world.
|
||
|
They see the world from their perspective and that perspective can be clouded
|
||
|
by their own intellect. It can be difficult to see the frustration
|
||
|
of others when their problems may seem trivial to you and easily solved.
|
||
|
Instead, I'd rather have the ability to control my own computing environment
|
||
|
by having the opportunity to choose between multiple solutions to similar
|
||
|
problems. I'd love to see the Mac and BeOS expand their market share
|
||
|
because, in the end, it only opens up my vistas of choice. And thats
|
||
|
what Linux is really about for end users. Freedom of choice.</FONT></FONT></BLOCKQUOTE>
|
||
|
<B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>Vi
|
||
|
vs. Emacs</FONT></FONT></FONT></B>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Vi, of course.
|
||
|
Unless I have to write a book or article for non-Linux publishers.
|
||
|
Then ApplixWords.</FONT></FONT></BLOCKQUOTE>
|
||
|
<B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>Red
|
||
|
Hat or Debian or S.u.S.E?</FONT></FONT></FONT></B>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Depends on what
|
||
|
you want and where you live mostly. All three produce decent distributions.
|
||
|
I tend to think of Debian as aimed more towards the technical crowd while
|
||
|
the other two are more amenable to the average Joe. I use Red Hat
|
||
|
4.2. Why? Because 2 years ago when I was ready to upgrade from
|
||
|
my Slackware distribution I went into SoftPro Books in Denver and found
|
||
|
Red Hat abundantly stocked. S.u.S.E wasn't there yet. Neither
|
||
|
was Debian. It was a simple choice back then, really. But like
|
||
|
Linux in general, the good news is that I have choices. Thats important.
|
||
|
I'll be upgrading again at the start of the year, probably in February.
|
||
|
By that time most of the kinks with dealing with libc/glibc should be worked
|
||
|
out from the installation point of view. I may go with Red Hat 5.2
|
||
|
if its out by then. But S.u.S.E sure has had a lot of good press
|
||
|
too. But it probably doesn't matter that much. I don't even
|
||
|
use RPM's on my machine except during an initial installation. After
|
||
|
that, I install free software from source and commercial packages from
|
||
|
CDs (in whatever form they come in).</FONT></FONT></BLOCKQUOTE>
|
||
|
<B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>GPL,
|
||
|
LGPL, NPL, or Artistic License</FONT></FONT></FONT></B>
|
||
|
<BLOCKQUOTE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>See what I mean?
|
||
|
Choice. This sort of thing seldom crops up in the Microsoft world.
|
||
|
Which is best? I won't say. Of all the arguments that have
|
||
|
arisen repeatedly the past 2 years, this one is most certainly one of personal
|
||
|
choice. I will recommend, however, that if you consider releasing
|
||
|
software to the free/Open community that you read through each of these
|
||
|
and try to understand them before releasing and before creating your own
|
||
|
license. I did the latter. It was a bad choice.</FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>GPL: <A HREF="http://www.gnu.org/copyleft/gpl.html">http://www.gnu.org/copyleft/gpl.html</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>LGPL: <A HREF="http://www.gnu.org/copyleft/lgpl.html">http://www.gnu.org/copyleft/lgpl.html</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>NPL: <A HREF="http://www.mozilla.org/NPL/">http://www.mozilla.org/NPL/</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Artistic: <A HREF="http://language.perl.com/misc/Artistic.html">http://language.perl.com/misc/Artistic.html</A></FONT></FONT></BLOCKQUOTE>
|
||
|
<A NAME="where-to-go"></A><B><FONT FACE="Arial,Helvetica"><FONT COLOR="#660000"><FONT SIZE=-1>Where
|
||
|
to go from here - Desktop Graphics</FONT></FONT></FONT></B>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Ok, I've blabbered on for
|
||
|
too long with my own opinions that really have nothing to do with graphics
|
||
|
on Linux. I need to focus. What do we have now and what do
|
||
|
we need? How do we get it? And who are "we"?'</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>We are the people who desire
|
||
|
the tools to do the graphics arts work from which we both find enjoyment
|
||
|
and make our livings. As of now, the tools for Linux are mostly geared
|
||
|
toward Web development, a medium born from the same family as the images
|
||
|
we create. Most of the tools are command line driven, with a few
|
||
|
GUI-based tools like the Gimp or perhaps ImageMagick. But we lack
|
||
|
certain features to go beyond Web images. We lack any real form of
|
||
|
color management in the Gimp needed for prepress operations. We have
|
||
|
3D modellers but are they sufficient for commercial animation work?
|
||
|
And what about video editing tools? Nothing exists at this point
|
||
|
beyond one project in a very early stage. We have some hardware acceleration
|
||
|
for 3D video chipsets but lack consistant support from vendors. Most
|
||
|
important, we need a desktop that makes porting of applications - or writing
|
||
|
new ones - inviting to those who need to interact with other tools.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>There are plenty of tools
|
||
|
available for commercial artists and effects houses that already exist
|
||
|
on other Unix platforms. What would it take to make those people
|
||
|
want to migrate to Linux? Vendors are fond of saying that end user
|
||
|
demand is what drives ports to new platforms. We need to know if
|
||
|
the demand exists and if not, then why not. I've spoken to two effects
|
||
|
houses in the past who use Linux in rendering farms (groups of Linux servers
|
||
|
number crunching 3D images with little to no user interaction). Linux
|
||
|
as a server once more. Is Linux not appropriate as the front end
|
||
|
of the special effects development process? What about for Desktop
|
||
|
Publishing? All you Quark and Adobe users - what do we need?
|
||
|
Would you use the ports if they were made available?</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>I write this column out of
|
||
|
a desire to learn about computer graphics. The only graphics tools
|
||
|
I'd ever used before moving to Linux were MacDraw and MicroGrafix under
|
||
|
DOS many years ago. I'm not familiar with the Adobe series of graphics
|
||
|
programs, nor Quark Express, nor the SoftImage tools or other SGI-based
|
||
|
applications. I need feedback from users of these tools to know what
|
||
|
to pass on to the rest of my readership. There are likely to be a
|
||
|
few who would be willing to work on projects, if they new what needed to
|
||
|
be done. And grass roots efforts by end users to convince commercial
|
||
|
vendors that ports of existing applications to Linux would be worth their
|
||
|
effort are also needed. Corel appears to be porting all their applications
|
||
|
to Linux. I assume this means Corel Draw will be coming out sometime
|
||
|
in the next 6 months. At least then I can see what a commercial application
|
||
|
looks like. If I could only get my hands on Adobe Premier or Quark
|
||
|
Express for Linux.....</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Most important of all, I
|
||
|
need to know what the readers need - desktop tools for the small prepress
|
||
|
environment? Web tools? High end graphics tools for research
|
||
|
and the entertainment industries? Perhaps multimedia authoring tools?
|
||
|
Or just simple tools for doing common tasks at home, those that are readily
|
||
|
available for the Mac and MS platforms and cost a buck and a quarter at
|
||
|
the local computer retail outlet.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Graphics on Linux needs focus.
|
||
|
We have the kernel supporters and the desktop supporters who have driven
|
||
|
the server side of Linux to the point that the rest of the world is not
|
||
|
only aware of Linux but enthusiastic about joining the community.
|
||
|
Now we need the graphics folks to mobilize and show that we can go beyond
|
||
|
the realm of back room servers.</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Or can we?</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>[ <A HREF="musings.html">More
|
||
|
Musings</A> ]</FONT></FONT>
|
||
|
<BR>
|
||
|
<TABLE BORDER=0 COLS=1 WIDTH="100%" BGCOLOR="#000000" NOSAVE >
|
||
|
<TR NOSAVE>
|
||
|
<TD NOSAVE><IMG SRC="../images/cleardot.gif" HEIGHT=2 WIDTH=2></TD>
|
||
|
</TR>
|
||
|
</TABLE>
|
||
|
<A NAME="rsrc"></A><IMG SRC="../gx/hammel/resources.jpg" HEIGHT=50 WIDTH=245>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>The following links are
|
||
|
just starting points for finding more information about computer graphics
|
||
|
and multimedia in general for Linux systems. If you have some application
|
||
|
specific information for me, I'll add them to my other pages or you can
|
||
|
contact the maintainer of some other web site. I'll consider adding other
|
||
|
general references here, but application or site specific information needs
|
||
|
to go into one of the following general references and not listed here.</FONT></FONT>
|
||
|
<BR>
|
||
|
<TABLE BORDER=0 COLS=2 WIDTH="100%" NOSAVE >
|
||
|
<TR NOSAVE>
|
||
|
<TD NOSAVE><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Online Magazines
|
||
|
and News sources </FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.news.com/">C|Net
|
||
|
Tech News</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.eklektix.com/lwn/">Linux
|
||
|
Weekly News</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://slashdot.org/">Slashdot.org</A></FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>General Web Sites </FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.graphics-muse.org/linux/lgh.html">Linux
|
||
|
Graphics mini-Howto</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.graphics-muse.org/ugu/ugu.html">Unix
|
||
|
Graphics Utilities</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.bright.net/~dlphilp/linux_soundapps.html">Linux
|
||
|
Sound/Midi Page</A></FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Some of the Mailing Lists
|
||
|
and Newsgroups I keep an eye on and where I get much of the information
|
||
|
in this column </FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.gimp.org">The
|
||
|
Gimp User and Gimp Developer Mailing Lists</A>. </FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="http://www.irtc.org">The
|
||
|
IRTC-L discussion list</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="news:comp.graphics.rendering.raytracing">comp.graphics.rendering.raytracing</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="news:comp.graphics.rendering.renderman">comp.graphics.rendering.renderman</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="news:comp.graphics.api.opengl">comp.graphics.api.opengl</A></FONT></FONT>
|
||
|
<BR><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="news:comp.os.linux.announce">comp.os.linux.announce</A></FONT></FONT></TD>
|
||
|
|
||
|
<TD><IMG SRC="../gx/hammel/gmuse-2.jpg" HSPACE=10 BORDER=2 HEIGHT=248 WIDTH=200></TD>
|
||
|
</TR>
|
||
|
</TABLE>
|
||
|
<A NAME="future"></A>
|
||
|
<H2>
|
||
|
Future Directions</H2>
|
||
|
<FONT FACE="Arial,Helvetica"><FONT SIZE=-1>Next month:</FONT></FONT>
|
||
|
<P><FONT FACE="Arial,Helvetica"><FONT SIZE=-1><A HREF="mailto:mjhammel@graphics-muse.org">Let
|
||
|
me know what you'd like to hear about!</A></FONT></FONT>
|
||
|
<BR>
|
||
|
<HR NOSHADE WIDTH="100%">
|
||
|
<DIV ALIGN=right><FONT FACE="Arial,Helvetica"><FONT SIZE=-1>© 1998
|
||
|
<A HREF="mailto:mjhammel@graphics-muse.org">Michael
|
||
|
J. Hammel</A></FONT></FONT></DIV>
|
||
|
|
||
|
<!--===================================================================-->
|
||
|
<P> <HR> <P>
|
||
|
<center><H4>Previous ``Graphics Muse'' Columns</H4></center>
|
||
|
<p>
|
||
|
<A HREF="../issue11/gm.html">Graphics Muse #1, November 1996</A><BR>
|
||
|
<A HREF="../issue12/gm.html">Graphics Muse #2, December 1996</A><BR>
|
||
|
<A HREF="../issue13/gm.html">Graphics Muse #3, January 1997</A><BR>
|
||
|
<A HREF="../issue14/gm.html">Graphics Muse #4, February 1997</A><BR>
|
||
|
<A HREF="../issue15/gm.html">Graphics Muse #5, March 1997</A><BR>
|
||
|
<A HREF="../issue16/gm.html">Graphics Muse #6, April 1997</A><BR>
|
||
|
<A HREF="../issue17/gm.html">Graphics Muse #7, May 1997</A><BR>
|
||
|
<A HREF="../issue18/gm.html">Graphics Muse #8, June 1997</A><BR>
|
||
|
<A HREF="../issue19/gm.html">Graphics Muse #9, July 1997</A><BR>
|
||
|
<A HREF="../issue20/gm.html">Graphics Muse #10, August 1997</A><BR>
|
||
|
<A HREF="../issue22/gm.html">Graphics Muse #11, October 1997</A><BR>
|
||
|
<A HREF="../issue23/gm.html">Graphics Muse #12, December 1997</A><BR>
|
||
|
<A HREF="../issue25/gm.html">Graphics Muse #13, February 1998</A><BR>
|
||
|
<A HREF="../issue26/gm.html">Graphics Muse #14, March 1998</A><BR>
|
||
|
<A HREF="../issue27/gm.html">Graphics Muse #15, April 1998</A><BR>
|
||
|
<A HREF="../issue31/gm.html">Graphics Muse #16, August 1998</A><BR>
|
||
|
<A HREF="../issue32/gm.html">Graphics Muse #17, September 1998</A><BR>
|
||
|
<A HREF="../issue33/gm.html">Graphics Muse #18, October 1998</A><BR>
|
||
|
|
||
|
|
||
|
<!--===================================================================-->
|
||
|
<P> <hr> <P>
|
||
|
<center><H5>Copyright © 1998, Michael J. Hammel <BR>
|
||
|
Published in Issue 34 of <i>Linux Gazette</i>, November 1998</H5></center>
|
||
|
|
||
|
<!--===================================================================-->
|
||
|
<P> <hr> <P>
|
||
|
<A HREF="./index.html"><IMG ALIGN=BOTTOM SRC="../gx/indexnew.gif"
|
||
|
ALT="[ TABLE OF CONTENTS ]"></A>
|
||
|
<A HREF="../index.html"><IMG ALIGN=BOTTOM SRC="../gx/homenew.gif"
|
||
|
ALT="[ FRONT PAGE ]"></A>
|
||
|
<A HREF="./staff.html"><IMG SRC="../gx/back2.gif"
|
||
|
ALT=" Back "></A>
|
||
|
<A HREF="./nw_burger.html"><IMG SRC="../gx/fwd.gif" ALT=" Next "></A>
|
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<P> <hr> <P>
|
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</HTML>
|
||
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<!--endcut ============================================================-->
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